TUNE IN!: THE CURRENCY OF CULTURE

December 17th, 2010 by Erica Butler

Tis’ the season to be Jolly!  And New York City seems to be the quintessential vacation destination for people to come from near or far to enjoy the holidays.  This month, we will take a look at how New York City celebrates this joyous time of year.  We will discuss the popularity of online shopping, local attractions this holiday season, and a way one non profit organization hopes to give back during this season for giving.  Check it out!!

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Studio Guest:  James Habacker, Artistic Director of The Slipper Room

Happy Holidays to You and Yours!

Your NYC Holiday Season TO DO LIST

December 11th, 2010 by Erica Butler

With all the things there are to see across the city it can be difficult to figure out what are most important this holiday season.  But there are a few things that are unique to this time of year that you shouldn’t leave off of your list.

Here are the Top 5 attractions this holiday season:

1.  Ice Skating at Rockefeller Center

2.  The Tree at Rockefeller Center

3.  Holiday Shopping at Bryant Park

4.  Store Display Windows

5.  The Christmas Spectacular with the Rockettes

Happy Holidays!

Tis’ the Season to go Shopping.

December 9th, 2010 by Christine Chika Moses

Tis’ the season to reach deep down into those pockets and get to gift-buying. Holiday markets at Union Square and Bryant Park are chuck full of unique gift possibilities.

Funky winter hats, ribbiting wooden frogs, wind chimes from Bali and unique little puppets – are just a few of the amazing pieces at the holiday market at Union Square. We visited the market to get a feel for what vendors and customers think of the holiday shopping. There are some photographs in the slideshow below. Look out for the audio postcard on the next Currency of Culture episode blog and find. For now, enjoy the photos.

TUNE IN!: THE CURRENCY OF CULTURE

November 30th, 2010 by Erica Butler

November is Native American Heritage Month. On this episode, we explore the arts and culture of the many Native American tribes in this hemisphere, including the preservation of endangered languages.  We’ll meet organizations in New York that try to keep the city’s Native American communities united by offering help with schools and jobs. We will also hear about an important collection of Native American art.

Studio Guest:  Tiokasin Ghosthorse, Poet, Musician, and Activist

Listen to our podcast.

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Q&A with Thunderbird Dancers’ Scholarship Recipient

November 29th, 2010 by Chris Prentice

I had the chance to speak with Lisa Young, 22, a Delaware native who is getting her master’s degree in forensic linguistics at Hofstra University. Young already speaks a handful of languages, but hopes to dedicate her life to learning and restoring vanishing languages.

What is forensic linguistics?
We’re using the analysis of linguistics to prove something in a legal setting. So an example, well actually my favorite example is my professor’s. My professor started this program [in forensic linguistics at Hofstra University] a few years back. There was a young man who was framed for murder, and the prosecution had a “taped confession” in which he said he killed the guy. Of course taped confessions are usually quite convincing in court. My professor was able to prove by analyzing the tape that there was absolutely no way the man would have said the things that were said on that tape. The words were simply not in his dialect. He would not have thought to say the words he used, because they were not in his vocabulary. This evidence was enough to cast doubt, and he was acquitted. He was free.

Why did you choose forensic linguistics for your Master’s Degree?
Language is so important. I could look like this: I’m kind of dark with curly hair. People might assume I’m from a French-speaking African country, but as soon as I open my mouth, they know I’m American. Language says so much about where you are from.

If you analyze someone’s language, you can tell where they are from, maybe they’re socioeconomic status, male or female, maybe even their religion. They’re so much in the language you speak. It’s almost a diary of your life.

You’re studying forensic linguistics, but you plan to make a career of protecting endangered languages. Why focus on languages that are disappearing?

You’re studying forensic linguistics, but you plan to have make a career (my PhD will be in theoretical LING) studying endangered languages. Why focus on languages that are disappearing?

Language is such a reflection of culture; it’s like looking in a mirror. To see that possibly go away, it’s bad for the Earth. Diversity of culture, diversity of thought is too important. If we all had to look the same, act the same, where is the fun in that?

I am of really mixed decent, but mostly indigenous. My family is really Americanized, and I don’t know any of my indigenous languages. I hate that, especially because I know a number of other languages.

It reminds me of what happened all over the world, particularly with strong governments. As a result of globalization, people who speak a minor language tend to grasp a large language in an area. In many Latin American countries, for example, people will abandon their mother tongue to speak Spanish. This may provide them more economic opportunities; however, the loss of these tongues equals the loss of an crucial aspect of culture, insightful cognitive processing information, and another perspective that adds to knowledge and understanding of the world.

Infinity of Nations.

November 14th, 2010 by Christine Chika Moses

On our last show at the Currency of Culture, we talked Native American art, culture and history. One of the stories we covered was the opening of the Infinity of Nations exhibit at the National Museum of the American Indian.

It is a permanent exhibit that showcases 700 pieces – including a selection of headdresses, a stunning Blackfoot’s warrior robe made of Buffalo skin and Horse’s hair, and an assortment of of hand-crafted healing drums, bowls, spiritual dance masks and fanciful jewelry. The artifacts come from north, south and central America and are rich with history.

The historical material is from the private collection of George Gustav Heye, a New Yorker and the founder of the former Museum of the American Indian once located at 155th street and Broadway.

When Heye’s museum closed 20 years ago, the artifacts were transferred to the Smithsonian in Washington, D.C. They remained in storage, even when the National Museum opened up its doors in 1994, and only came out recently. Cecile Ganteaume, the curator of the exhibit, calls the Infinity of Nations a homecoming.

“In many ways, it represents the symbolic return of these objects that had their beginning in NYC,” she explains.

Photos of artifacts from exhibit gathered by the National Museum of the American Indian are in the slide show below, accompanied by music from Tiokasin Ghosthorse, our live guest on the show.

Check them out and be sure to listen to our next show on the Currency of Culture.

Listen to coverage of the Infinity of Nation’s Exhibit.

TUNE IN!: THE CURRENCY OF CULTURE

November 1st, 2010 by Erica Butler

In this economy, it has been difficult for businesses to stay afloat.  And the arts community is no exception.  Artists and arts institutions have been feeling the loss in many different ways these past few years.

This show examines how complicated it can be to keep their heads above water.

Studio Guest: Larry Applebaum, Senior Music Reference Librarian and jazz specialist at the Library of Congress.

Listen to our podcast.

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Do you know any artists or art institutions that are doing creative things to drum of business and peak interest?  Let us know

Behind the Savory Collection and Into the Studio

October 27th, 2010 by Chris Prentice

It may have taken a while to get Douglas Pomeroy to agree to clean up and digitize Bill Savory’s recordings, but it did not take a lot: Pomeroy needed to hear just one never-before-heard recording to know he had to take the job.

The audio engineer got his start in New York City at Columbia Records. And now he is all but retired.  The Savory Collection is no simple task, and he is still just a third into the project, sometimes spending hours each day on one single song.

Reporters Chika Moses and Chris Prentice got a rare treat: Pomeroy let them into his studio to see just how complicated the process of reclaiming old recordings can be, to better under the magic behind the process.

Check out the slideshow below to find out more about Pomeroy’s life’s work.

For more on the Savory Collection, listen to this week’s podcast, Wednesday, October 13 at 3 p.m.

Deaccessioning: A Controversial Issue

October 6th, 2010 by Erica Butler

The New York State Board of Regents shocked the art world when it decided that it would let its regulations on the sale of art by museums expire. The sale, called deaccessioning, is extremely controversial, especially when museums unload works of art just to pay the bills.

The debate surrounding deaccessioning is heated. Despite whatever laws are on the books, some museum groups find the process unethical, and grounds for mass shunning in the art world.

But in a tough economy, museums and galleries are looking for ways to cut costs and raise money any way they can. Several museums here in NYC have faced scrutiny for trying to sell art in their collection to keep their doors open. On The Currency of Culture, we’ll talk to people on both sides of the debate to see how the rules affect them.

To read some more about the issue check out these articles.

The New York Times

Art Info

The Deaccessioning Blog

Arts Journal

CHECK OUT OUR PODCAST ON BLOG TALK RADIO, OCTOBER 13 @ 3 P.M.